Saturday, March 10, 2012

More Folk Art Practice....

Still continuing with practicing techniques and more on Norwegian folk art styles.

I was still looking at Jo Sonja's "The New Rosemaling Primer", and thought I would use this page as my starting point.

The decorative art of Rosemaling - page from Jo Sonja

This is a particularly soft style of Rosemaling, utilising a dry brushing technique.

So out came my sheet of painted paper, masking taped to a board.

Again, my aim here was not to paint a 'picture', but to try out styles without having to worry about outcomes.

Aim - have fun (and maybe learn something in the process).

When you are working on something new, your mind is concerned with technique, which usually results in your working looking more laboured, maybe stilted, if you know what I mean.

So give yourself the freedom to play.

The bit on the left is slightly more complete than the bit on the right - my brain had been through enough by this stage.  And this is where this will stop.  It will go into a folder, and I can look back on it and, hopefully, see progress in time to come.

Practicing Norwegian Folk Painting

That was a few days ago.

Today, my aim was to take what I'd been learning and develop it in a different direction.

So I basepainted a cheap canvas I had on the shelf, put out some paints and brushes, and just started painting.  I had no idea at this stage where it was going.

The colours weren't too difficult to decide upon, as Norwegian folk art has a sort of limited colour palette.

I had been reading Sigmund Aarseth's book, and his style is quite liberated, and a bit abstracted at times.  He calls it 'dancing with the brush'.

I liked that idea, so tried to keep it really loose and 'moving'.

This is the result.

 

Modern, slightly abstract style of Norwegian Folk painting

 

Now, those canvas boards are quite textured compared to the surfaces we folk artists are used to, so I needed to use brushes to suit.  These are the ones I used, mostly cheap bristle brushes, which are great for dealing with the textured surface.

brushes for decorative painting

 

 

And this is the palette I used.  Except that I only used about half of these colours.  I didn't end up going with the yellow, as it clashed with the background colour (which was Raindrop).

Provincial Beige became my yellow.

palette for decorative painting

 

While I realise there is a long way for me to go in developing this style, I was really happy with the 'movement' in the design.  I feel it is quite loose, which is what I was after.

Folk art flower

 

I hope I have encouraged  you to spend some time working on new techniques, or old ones, just for the sake of having fun and creating a record to look back on.

norwegian decorative painting practice

Till next time
Fiona

4 comments:

  1. That picture is really beautiful - it has a kind of serenity...

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  2. Hi Fiona,
    Thanks for the offer to help. I was trying to do my entire blog post including pictures on Microsoft word because I could produce a beautiful reflection below my artwork. I could transfer everthing to my blog except the photos that were inserted into the word document.

    I finally gave up and researched on the internet and was able to produce this same effect on my cupcake image with Photoshop. It took half the day and a lot of practice, but I'm happy with the results. I'll be sharing them in the next post.

    I'm from the US but have several customers from Australia. As a matter of fact most of my customers this past couple of weeks have been from there.

    You paint beautifully! I took a class from JoSonja when she came to Newton, KS many years ago. The main offices for the Society of Decorative Painters used to be there before they moved them to Wichita, KS.

    It was great to meet you and find your blog. Thanks again for the offer of help from way across the globe!
    Catherine

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  3. You're most welcome Catherine.
    Im glad you got it sorted out. I think you have gone the better way, even though it probably destroyed a few brain cells in the process!

    I would so love to live closer to Jo Sonja and take more classes with her - I did have one class with her many, many years ago when she came to Australia.
    As you can probably tell, she is my folk painting hero.
    Looking forward to reading more on your blog.

    cheers
    Fi

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